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Chanterossignol, chante, Toi qui as le cœur gai Tu as le cœur à rire, Moi je l'ai à pleurer. J'ai perdu ma promise, Sans l'avoir mérité Pour un bouquet de roses, Que je lui refusais. Je voudrais que la rose, Fût encore au rosier Et moi et ma promise Dans les mêmes amitiés. Références. Chant par Yves Albert sur l'album Canadian Folk Songs: A Centennial Collection en 1967 , parShe slits her throat and a necklace of rubies appear, decorating her fair, pale neck with glimmering crimson beads of blood that drip down her collarbone, pooling in between the valley of her breasts. She’s grateful to have cut into her carotid artery on her first try; all those hours pouring over Madam Red’s medical textbooks had been useful—time well spent. Though now, she has all the time in the world.Lizzy fights against death for a few seconds more, wanting to take in the high vaulted ceiling of her bedroom, the pretty light pink walls and white canopied bed with gardenias covering the headboard. She takes it all in for as long as her body will allow before exhaustion—a strange, physical weariness she’s never felt before—consumes her delicate form and she falls forward, blood smearing against the honey satinwood of the newly polished floor. Her head hits the ground but she feels no pain; her chest is wet and warm, the blood feels like soft bathwater against her fingertips and she presses her palm against her once used to thrum with life and energy, a whirlwind of excitability of vivacious charm; now, as she lays on her side, one arm splayed above her head, she only feels the faint, distant beats of a dying, superfluous opens her eyes but the world is dim—as if everything has been deprived of all color and the ceiling has become her focal point. A faint pinprick of memory—her crystal chandelier, the one with rosy cheeked cherubs molded from cool gold—hangs above her but its proportions have been distorted and the whole picture has grown breathing is shallow and she can no longer feel the limbs of her body—can no longer move her wrist and fingers. She is lying here, immobilized, the scent of blood and blossoms in the air. But it will be worth it, she thinks, when it is all over. When she awakens strong and immortal, a Reaper for all to will protect Ciel, one way or another, and if it means exchanging her life for his, then—It is an all too easy sacrifice. Ciel. She awakens in a dark, cobwebbed room hardly big enough for one person—or perhaps it’d been designed this way on purpose. The bed she’s lying in reminds her of a child’s cot, with a little nightstand and two weathered books as its only companions. Dust and age have saturated the blue printed covers and she can barely make out the faint, almost illegible Nutcracker and the Mouse King is the first book—perhaps a first edition, for Lizzy has never seen the cover so beautifully done. The pinks and whites have now lightened to a paper thin memory of color but the lines are still visible, outlining the slim rosette form of sweet Marie and the tall, stately nutcracker in his red military jacket. It is also, she smiles softly, her favorite children’s that is a copy of Grimm’s Fairy Tales but this one has clearly been read—over and over again. The spine is cracked and she can spy the individual pages clinging desperately to the worn black thread; the pages have been dog-eared and folded, as if someone had bookmarked these passages to read later—a bedtime story for another night. Rising from the stiff, cloistered bunk Lizzy struggles to stand and finds that while the ceiling—an old wooden structure, perhaps designed during the Tudor years—is low, she can still stand comfortably, without hitting her head or lurching forward to avoid the dangling cobwebs and small black her left there is a small, dirtied window with several glass jars and containers of a putrified, yellow liquid. One held a heart, the other an unseeing white sphere, and the two containers were too murky to make out much other than a few odd shapes. Outside, London’s cloudy grey sky was familiar and soothing but—Lizzy gasped, hands reaching to wrap around her neck—to feel the blood and hastily cut flesh but nothing was there. Nothing but smooth, soft skin.“Ah, you’re awake now, aren’t you?” A low, amused voice calls out. It sounds like it's coming from above and Lizzy wonders if she's been summoned before some strange, celestial court to pay penance. And really—when did her eyesight become so poor?“Sorry love but you’ll be needing these from now on.” The voice chuckles; and out of nowhere, a pair of something falls into her hands. Cautiously perhaps too cautiously Lizzy brings the object near, though it's not until she's moved it a few inches from her face that she's able to tell what it is. A pair of reading glasses. She frowns. “Thank you kindly, dear sir, but I don’t believe these will be necessary.” She calls out, wondering if death has deprived her of all sanity. Talking to a mysterious voice in a small, dark room. Was she now insane?Has she gone absolute mad?“Oh, but I believe they are.” The voice returns, sounding perfectly cheerful—as if strange girls who'd cut their throats was a common sight for him. “Come now, love—look around. Where am I?”Lizzy hears a creak and a shift this building really was quite old but feels a sliver of white hot frustration when she is unable to make out his face, shape, or figure in the shadowy black darkness. “If you would step into the light please—““Why should I? I’m right behind you.”Lizzy whirls around and almost shrieks when she sees him—the strange, white-haired mortician with the wide, toothy grin and long, black edged heart is pounding like a hummingbird in her chest or was it? What on earth was even happening? Oh, mother was right. She was far too impulsive for her own good sometimes and Lizzy feels a slight wave of immediate panic though, oddly enough, she felt no real sense of danger. Only confusion, blindness, and an overwhelming urge to put these eyeglasses on.“Mr. Undertaker sir.” She greets and gives him a small curtsey. Dead or not, courtesy was most important. Mother, Lizzy thinks, would be quite proud to know that even in death, she was still behaving like a lady should.The mortician laughs, waving a sleeve covered hand in front of her—as if saying, no, no, dear girl! No formalities! “Care for a cup?” He asks, producing a…beaker of tea or was it tea? from behind his back. Moving even closer almost indecently so—not that he seemed to care much for propriety the Undertaker giggles, in a strange high-pitched stream of laughter, at her curious expression. “It’s oolong.” He whispers loudly, as if confiding in her a great, mysterious secret that no one else could ever his grin is so wide and his words so serious and—honestly, here she is in some cramped little room with a cup or pardon, beaker of hot tea being handed to her by a strange man who appeared to have a permanent smile fixed to his face. And really, she decides, if one couldn’t laugh at a situation such as this then madness was the only Lizzy laughs, lightly at first and then genuinely, nose crinkling and shoulders shaking as she accepted his beaker of tea with a smile and a thank you, polite as ever. “I must be dreaming,” she whispers between giggles, “but I had no idea my imagination was so vivid—or so strange.”“Oh, you aren’t dreaming dearie.” The Undertaker yes, she remembers, that was his title sways from side to side, voice almost tender as one long black fingernail comes up to stroke her cheek. “You poor thing, cold as death.”Lizzy laughs grins. “And you’ve got your grandmother’s sense of humor.”At the mention of Grandmama Claudia, Lizzy perks up. “You knew Grandmama?”“Is that what you call her?” The Undertaker rubs his sleeved hands together, like a gleeful child whose just learned a most valuable secret. “Oh-ho, it is rather proper of you, isn’t it?”“I am a lady, dear sir.”But Lizzy feels no real insult—how can she when this strange old mortician is being so kind and offering her tea and ignoring the fact that she’s gone completely and utterly mad?“Ay, I don’t dispute that.” He agrees cheerfully. “But death, dear girl, requires no book of etiquette.”“So I've truly died.” Lizzy presses her hands around the steaming hot beaker. “How strange. I’d always imagined death to be…lighter.” “Well you are in my workshop dearie. I’m a bit of an odd fish myself—antiseptic walls and hourly doses of paperwork have never really appealed to me—if you can imagine that.” He ribs, poking Lizzy’s cheek as he does so. “See, you’re still on the human plane love—I got you before the Reapers did and oh-ho, what a trip it was! You’re quite the little scandal in this neck of the woods.” Lizzy frowns, perturbed and very worried that she could've caused any dispute—let alone one so strange! She opens her mouth to speak but is cut off by the memory of her parents—of her dear, grieving brother and solemn, stern mother and dear, wonderful father—and Lizzy feels abject horror because she's left them all behind. Oh god, oh god, oh god, oh god—what has she done? How could she have been so stupid? Should she have left a longer letter? One that explained in greater detail why she'd done what she did? Did they know? But of course they didn't! But did they know how much she still loved them, even in death, and how dearly she wanted to remain by their side until they drew their last breath and—oh she was such a wicked, wretched daughter! How could she have done this?Tears sting at her eyes, her throat begins to close, and—“Oh,” Lizzy chokes out, “I’m very sorry for that." An overwhelming wave of guilt crashes into her, expelling the air from her lungs and hurting her so badly she feels as if she's been stabbed right through the heart. "I'm sorry," she tries again, "for acting so foolishly but you see, Mr. Undertaker sir, I am in very dire straits right now. I love someone very much but I…I can’t save him and please, I need some help so I thought—I heard—that…that to die by my own hand would give me power and please, you mustn’t think me greedy or shameful for I have no wish or desire to conquer any foreign lands or villages. I only want to save the boy I love best.” She says this in one frenzied, hiccuped sentence because the tears are rolling down her cheeks and falling to her tea and—“I’m sorry,” she cries, lower lip trembling because goodness, she simply can’t stop, “I'm...I’m afraid I’ve ruined your oolong.”And really, this just makes everything else so much more dreadful. She's ruined a perfectly good cup of tea that he prepared for her and he can't possibly have any more clean beakers and she's ruined her tea and—and a sob escapes her lips, and then another and another until she's crying continuously, unable to stop, not even noticing how the Undertaker has brought one shapeless sleeve over her shoulders, hugging her close.“You’ve got a way with words, lovey.” He chuckles, the other sleeve coming to wipe away her tears. “Ruined my oolong, now isn’t that funny.” He chuckles but his veiled eyes are soft, tender with sympathy and care and oh, while the earl may look like his Claudia, it’s sweet little Lizzy—with her lion heart and all encompassing passion—who is her virtues and goodness, encapsulated in the granddaughter she never had the chance to meet. “Poor girl,” Undertaker continues, “poor, dear girl. So desperate to save the one you love best…a distant prayer, yes, but you cling onto it, kneeling at the foot of your bed every night, begging for some starlit miracle. Oh, poor child,” his voice continues, soothing and familiar—with a gentle French accent coming to play, “you do wish to save him, don’t you?”“Oh yes, yes I—“ she tries to speak but her words are tied, jumbled together, and utterly incoherent as she presses her face into the Undertaker’s robes, trying so hard to calm herself though frenzied emotion. The Undertaker smiles, half-pity, half-joy. He holds onto her, his dear, sweet granddaughter, and relishes in her orange blossom warmth. It is the first time he has embraced any one of his grandchildren, the first time they have not shied away from him in mistrust or anger—or have ignored him, ignorant that their grandfather stands there, so full of longing for family and memory and home. He failed his son, his precious, only son, who died so wretchedly. He failed to protect his grandson, thirteen and blue and bound to hell. He has not seen his strong, capable daughter since she was a year and a half old; was not there when she married—couldn't walk her down the aisle. But now—now providence has come, giving him a second chance to begin regaining the family that was lost to him the moment Claudia died. So he holds his poor, dear granddaughter close and thinks that the butler—what a funny little demon!—has helped him greatly. Oh, he never wished to meet his and Claudia’s grandchild under such unseemly and vile circumstances but here she is. A Reaper, eternal and immortal; age will not touch her and death can no longer hold her. She is his family—his granddaughter—and she is now immortal, just like him. “Come now, come now,” he shushes, one sleeved hand coming to tuck a golden curl behind her ear, “worry no more, lovely, worry no more.” He can feel the exhaustion seeping into her bones and takes the beaker of tea from her, placing it on the little nightstand.“Il y a longtemps que je t’aime, jamais je ne t’oublierai,” the Undertaker sings, soft and low, the lullaby tranquil and sweet—as clear and familiar as when he composed it some two hundred years ago. In his arms, the poor girl sleeps, breathing deep and even as tear stains mar her now, he will remain awake tonight—and all other nights—guarding his granddaughter against all harm. From the hands of the Reapers to the temptations of the demon. She is a piece of Claudia made immortal and she is his family. The Undertaker lowers her into the cot, one arm coming to sweep the dust from the children’s books and the other to wipe away the last of her tears. Il y a longtemps que je t’aime, jamais je ne t’oublierai… Chante rossignol, chante, Toi qui as le cœur gai, Tu as le cœur à rire, Moi, je l'ai à pleurer. REFRAIN. J'ai perdu mon ami Sans l'avoir mérité, Pour un bouquet de roses, Que je lui refusai. REFRAIN. Je voudrais que la rose Fût encore au rosier, Et que mon doux ami Fût encore à m'aimer. Collectif, Mes plus belles chansons, ill. Mathilde Lebeau, Millepages. Découvrir. Le alpha G artiste Guy Béart titre À la claire fontaine Les paroles de la chanson À la claire fontaine »Guy Béart A la claire fontaine,M’en allant promenerJ’ai trouvé l’eau si belleQue je m’y suis baignéIl y a longtemps que je t’aimeJamais je ne t’oublieraiSous les feuilles d’un chêne,Je me suis fait sécherSur la plus haute branche,Un rossignol chantaitChante rossignol, chante,Toi qui as le cœur gaiTu as le cœur à rire,Moi je l’ai à pleurerJ’ai perdu mon amie,Sans l’avoir méritéPour un bouquet de roses,Que je lui refusaisJe voudrais que la rose,Fût encore au rosierEt que ma douce amieFût encore à m’aimerNotesChanson née en france au début du XVIIème siècle et exportée au Canadapar les soldats, pays dans lequel elle servit d’hymne national auxsoldats du marquis de Montcalm lors de la révoltre de 1837 contre lesanglais. Elle revint alors en france dans sa nouvelle version où ellefut publiée en 1848
Chanterossignol chante toi qui a le coeur gai. Tu as le coeur à rire moi je l'ai à pleurer. C'est pour mon ami Pierre qui ne veut plus m'aimer . C'était pour une rose que je lui refusais. J'aimerais que la rose soit encore au rosier. Et que le rosier même soit encore à planter. Et que la bêche même soit encore à forger . Et que mon ami Pierre soit encore à m
Les comptines sont des poèmes enfantins, parlés ou chantés avec une mélodie dynamique pour amuser et éduquer les enfants. Elles favorisent la mémorisation, l’imaginaire et le vocabulaire. Quant aux berceuses, ce sont des chansons enfantines plus calmes pour endormir les enfants. Leur douce mélodie apaise votre enfant qui s’endormira plus facilement. Comptines ou berceuses, voici les paroles d’une nouvelle chanson pour votre enfant ! Proposé par la Team Mapiwee 53 Les paroles de la comptine “À la claire fontaine” À la claire fontaine M’en allant promener J’ai trouvé l’eau si belle Que je m’y suis baigné Il y a longtemps que je t’aime Jamais je ne t’oublierai ! Sous les feuilles d’un chêne Je me suis fait sécher Sur la plus haute branche Un rossignol chantait Il y a longtemps que je t’aime Jamais je ne t’oublierai ! Chante, rossignol, chante Toi qui a le coeur gai Tu as le coeur à rire Moi, je l’ai à pleurer Il y a longtemps que je t’aime Jamais je ne t’oublierai ! J’ai perdu mon amie Sans l’avoir mérité Pour un bouquet de roses Que je lui refusai Il y a longtemps que je t’aime Jamais je ne t’oublierai ! Je voudrais que la rose Fut encore au rosier Et que ma douce amie Fut encore à m’aimer. Il y a longtemps que je t’aime Jamais je ne t’oublierai ! Découvrez d'autres articles et activités Les 10 meilleures comptines et berceuses de notre enfance Comment inventer des histoires pour votre enfant ? Chanson pour enfants Ah ! vous dirai-je maman Chanson pour enfants Fais dodo Colas mon p’tit frère Lerossignol chantait. Fendez le bois, Chauffez le four, Dormez la belle il n'est point jour ! Chante, rossignol, chante Toi qui as le cœur gai Tu as le cœur à rire Moi, je l'ai à pleurer. Fendez le bois, Chauffez le four, Dormez la belle il n'est point jour ! J'ai perdu mon amie Sans l'avoir mérité Pour un bouton de rose Que je lui À la claire fontaine M’en allant promener J’ai trouvé l’eau si belle Que je m’y suis baigné Il y a longtemps que je t’aime Jamais je ne t’oublierai Il y a longtemps que je t’aime Jamais je ne t’oublierai Sous les feuilles d’un chêne Je me suis fait sécher Sur la plus haute branche Un rossignol chantait Il y a longtemps que je t’aime Jamais je ne t’oublierai Il y a longtemps que je t’aime Jamais je ne t’oublierai Chante rossignol chante Toi qui as le cœur gai Tu as le cœur à rire Moi je l’ai à pleurer Il y a longtemps que je t’aime Jamais je ne t’oublierai Il y a longtemps que je t’aime Jamais je ne t’oublierai J’ai perdu mon amie Sans l’avoir mérité Pour un bouton de roses Que je lui refusai Il y a longtemps que je t’aime Jamais je ne t’oublierai Il y a longtemps que je t’aime Jamais je ne t’oublierai Je voudrais que la rose Fût encore au rosier Et que ma douce amie Fût encore à m’aimer Il y a longtemps que je t’aime Jamais je ne t’oublierai Il y a longtemps que je t’aime Jamais je ne t’oublierai À la claire fontaine M’en allant promener J’ai trouvé l’eau si belle Que je m’y suis baigné J’ai trouvé l’eau si belle Que je m’y suis baigné Uneexposition 100% briques Lego® Pour la saison 2021, les célèbres briques Lego® investissent le château de Lichtenberg ! Une exposition temporaire, originale et intergénérationnelle, qui plaira à toute la famille. Petits et grands pourront découvrir les créations uniques, réalisées par l’association Fanabriques de Rosheim, sur le thème de l’architecture, des chevaliers etEcoutez et imprimez les paroles de la chanson "A la claire fontaine" ! A la claire fontaine est une chanson très populaire que tous les français connaissent. à l'origine, c'est un poème éponyme qui a été rédigé entre le XVème et le XVIIIème siècle et qui a été mis en musique par la suite. Sur un air nostalgique, cette petite comptine pleine d'amour parle de séparation, d'amour et d'instant présent. Sur cette page, retrouvez la comptine "A la claire fontaine" en vidéo grâce à notre partenaire "Le monde des Titounis", Vous pourrez alors l'écouter avec vos enfants. N'hésitez pas à imprimer les paroles ou la partition pour les petits musiciens. Retrouvez encore plus d'idées de Chansons pour enfants Les paroles de la chanson "A la claire fontaine" À la claire fontaine M'en allant promener, J'ai trouvé l'eau si belle, Que je m'y suis baignée. Il y a longtemps que je t'aime Jamais je ne t'oublierai. Sous les feuilles d'un chêne Je me suis fait sécher, Sur la plus haute branche, Un rossignol chantait. Il y a longtemps que je t'aime Jamais je ne t'oublierai. Chante, rossignol, chante, Toi qui as le cœur gai, Tu as le cœur a rire, Moi, je l'ai à pleurer. Il y a longtemps que je t'aime Jamais je ne t'oublierai. Sans l'avoir mérité, Pour un bouquet de roses, Que je lui refusai. Il y a longtemps que je t'aime Jamais je ne t'oublierai. Je voudrais que la rose Fût encore au rosier, Et que mon ami Pierre Fût encore à m'aimer Autre version du texte Dans une autre version populaire, le dernier couplet ne parle pas d'un ami Pierre, mais d'une douce amie. Vous pouvez alors chanter cette version Je voudrais que la rose Fût encore au rosier, Et que ma douce amie Fût encore à m'aimer Les fiches à imprimer de la chanson "A la claire fontaine" Il est très utile de garder sous la main un carnet avec les chansons préférées de vos enfants. C'est pourquoi nous vous proposons d'imprimer gratuitement les paroles de la chanson "A la claire fontain" illustrée. Imprimez le texte de la comptine "A la claire fontaine " La chanson "A la claire fontaine" en vidéo YouTube Il existe plusieurs adaptations musicales de cette chanson sur YouTube. Nous vous proposons d'écouter et de regarder la vidéo de notre partenaire "Le monde des Titounis" qui propose une version très douce et pleine de couleurs ! Les illustrations permettent de comprendre le sens du texte assez facilement. Une bonne version à faire écouter aux enfants. Les fiches à imprimer de la comptine "A la claire fontaine" Il est très utile de garder sous la main un carnet avec les chansons préférées de vos enfants. C'est pourquoi nous vous proposons d'imprimer gratuitement les paroles de la chanson "A la claire fontaine" illustrée. Imprimez le texte de la comptine "A la claire fontaine " Imprimer le texte illustré de cette jolie berceuse pour enfant La partition à imprimer de la chanson "A la claire fontaine" Comment jouer à la Claire Fontaine à la flute ? "A la Claire Fontaine" fait partie des chansons les plus faciles à jouer à la flute à bec. C'est pourquoi elle est souvent utilisée par les professeurs de musique pour apprendre aux enfants à jouer de cet instrument. Retrouvez ci une vidéo avec les différentes notes et les placements des doigts sur la flute pour essayer avec les enfants. Comment jouer à la claire fontaine au piano ? Votre enfant préfère le piano à la flute ? C'est tout à fait possible de lui apprendre à jouer cet air de musique au piano. Voici une seconde vidéo pour permettre aux enfants de repérer les notes et de s'exercer à jouer cette musique. ; Quelques notes sur l'histoire de la chanson "A la claire fontaine" À la claire fontaine est un classique de la chanson traditionnelle française qui raconte l'histoire d'une petite fille qui a perdu son ami Pierre. Elle vient d'un poème qui aurait été rédigé entre le XVème et le XVIIIème siècle. La chanson était chantée par les coureurs de bois lors des longs voyages et par les patriotes pendant les insurrections au XIXème siècle avant de devenir le premier hymne national de la Nouvelle France. On recense au moins 500 versions de la chanson à la claire fontaine et de nombreuses adaptations. Une musique très populaire au Canada Très populaire, la chanson a traversé l'Atlantique avec les soldats de Louis-Joseph de Montcalm pendant la guerre de 7 ans qui a eu lieu au 18ème siècle. Elle a même servi de chant national aux troupes franco-canadiennes lors de la révolte contre l'hégémonie anglaise de 1837. C'est pourquoi, elle est devenue un chant très populaire aussi au Canada. Qui a écrit "à la Claire Fontaine" ? Connaissons-nous l'auteur ? Nous ne connaissons pas l'auteur du poème à l'origine de cette chanson Par contre, on connait beaucoup du contexte de la chanson, de son histoire et toutes les versions qui ont pu voir le jour après sa création. D'autres comptines pour faire votre compilation de berceuses Autant se le dire, ce n'est pas sur "A la claire fontaine" que nous allons nous amuser à danser avec les enfants. C'est plutôt une musique pour les temps calmes à écouter avant de dormir par exemple. Vous pourrez même l'intégrer à une liste de lecture avec des berceuses pour le soir. On vous conseille d'y mettre également les chansons suivantes - Frère Jacques - Do Do l'enfant do - Au clair de la lune - Bateau sur l'eau
LNWRrU. chante rossignol chante toi qui a le coeur gai
